Author Archives: Leslie

WOMEN’S HISTORY MONTH: CELEBRATE!

Beginning in 1996, The Lively Foundation presented annual concerts honoring Women’s History Month. Through many years, Lively’s concerts, HEROIC, BELOVED, were the only concerts honoring Women’s History Month. Artistic Director, Leslie Friedman, noticed that she had choreographed dances about women, about specific, historical figures, and dances set to texts written by women and music composed by women. That work became the first repertory of dances and music. Each year new works would be added often featuring guest artists. Subjects of the dances included Harriet Tubman, with a text by her and a song created about her by Higher Ground, a singing group from Oakland,; the Bronte sisters, using texts from Charlotte Bronte and music by Chopin; Clara Schumann, composer and pianist, with music by her life long friend, Johannes Brahms; Willa Cather, American author, using text from her book, My, Antonia, and premiering music by Jon Deak, music by African-American composer, Undine Smith Moore.

Opera singer Pamela Dillard was one of our first guest artists. She performed classical music songs and others One of her songs was Come Down, Angels, music by Undine Smith Moore. Ms Friedman accompanied Come Down, Angels with a premiere dance.

Pictures from two Heroic, Beloved performances: L-R:Leslie Friedman, Opera singer Marnie Breckinridge, SF Supervisor Reverend Amos Brown; on right side: Pamela Herndon (L) and Sarah Moss (R) dance in the SF Civic Center Garden before their premiere performance of Muse News, music by Bach; choreograhpy by Leslie Friedman.

Twenty Years On, by Peter DL Stansky – book review

Twenty Years On, by Peter Stansky (Pinehill Humanities Press), 2020

Peter D.L.Stansky, Professor Emeritus, Modern British History, Stanford University

This is a delightful book. Stansky’s felicitous style allows him to write profound observations which never hit the reader like a blow on the head. Instead, one feels historical memory and imagination light up as connections such as those between architecture in California and the Arts and Crafts movement in 19th century England become clear. The book is a collection of essays and lectures Stansky has presented over the past twenty years. His field is modern British history focusing on the intersection of political, social, cultural, and artistic history and where each defined area influences and modifies the others.

The essays’ subjects were the interests of his books: the Arts and Crafts Movement, especially William Morris; George Orwell; Bloomsbury; writers and artists of the 1930s, especially concepts of boundaries and frontiers; World War II, especially Churchill and the London Blitz; what it means to be English. There is a contemporary subject: history over television. How does history fare when the need for drama is nearly so important as accuracy?

The book is entertaining, informative, and learned. This reader’s favorite is the Preface in which Stansky tells how he decided to be an historian and why of England (I will not divulge details best enjoyed directly). Reading these essays does not replace reading the books, but it reveals the germs of ideas that propel the books. Provocative ideas in one subject suggest relationships with ideas in other chapters of life as well as of history.

Stansky wrote two books on Orwell with the late writer and editor, William Abrahams: The Unknown Orwell (1972) and Orwell: The Transformation (1979). Turn to Orwell’s writing to correct notions of “alternative facts” and “fake news.” One thinks the blight corroding truth is easily recognized; then falls into an enthusiasm created by Big Brother. Orwell’s Homage to Catalonia, about his time in the Spanish Civil War, is proof. Which side has the good guys? Hard to tell.

Stansky shows that Orwell himself saw political confusion and aggression amongst socialist and communist parties. Spain led Orwell to the political direction of his life. He became committed to Democratic Socialism, he wrote, “as I understand it,” and opposed totalitarianism.

Stansky and Abrahams give fidelity to Orwell’s texts the greatest importance. They reject the “St. George” approach to Orwell. Others define him by his virtues, but that does not address his powerful writing or its purpose. Saints, suffer though they might, are easily dismissed when not understood.

Bloomsbury writers and visual artists seem light hearted after Orwell, despite premature deaths in the Spanish Civil War and Virginia Woolf’s suicide lying ahead. Stansky presents the vision behind these artists’ works: the world is not what it seems. He points out that major thinkers in the same time period, Einstein, Freud, and, in an earlier time, Marx, demonstrated that through physics, psychology, social-economic theory. They changed the way one could perceive the world. Virginia Woolf’s stream of consciousness writing reveals lives not by appearance but in progress.

According to Stansky, history must tell the story of what happened and also explain the story’s “significance.” He does that in studies of the London Blitz and Churchill, that stout, determined Englishman who saved the world. Was it a time of mythic heroism or of “panic and fear?” These contradictory views show Stansky a truth about the English. During the Blitz, they were encouraged to stay calm. Keeping on was the victory. There was bad behavior and terror, but they won by waiting. Then, Hitler took his planes and went East.

review by Leslie Friedman

This review first appeared in the Institute for Historical Studies, Winter, 2021. Thank you to Maria Sakovich, editor, for permission to publish it in the livelyblog.

FESTIVAL ARTISTS CONCERT: HUGE SUCCESS

HOORAY! The January 30 performance by the artists-teachers of the International Dance Festival@Silicon Valley was a tremendous success.

Annie Wilson                                         Etta Walton

Megan Ivey Rohrbacher                                     Audreyanne Covarrubias

Thank you to each of the performers: Annie Wilson performed Broadway jazz and Rumba, inviting the audience to join in the Rumba in their own spaces; Etta Walton performed and led Line Dances; Audreyanne Delgado Covarrubia performed classical Korean dance and played Korean drum music; Megan Ivey Rohrbacher performed classical mimes and tap danced; Audreyanne Delgado Covarrubias performed tap dance and performed a tap duet with Megan. Audreyanne was in North Carolina and Megan was in Hawaii. They split the Zoom screen and muted one sound source so they would dance to the same sound. They danced a shim sham that ended the astonishing concert  Each of these artists just “knocked our socks off,” “blew us away,” moved our hearts and excited us. Here are comments from the audience:

“OH, WOW!”  “Amazing!” ” I LOVE Etta!” “Thanks, Annie. You’re Fabulous!” “Thanks for presenting this. It is so very cool.” “Wonderful. Lovely mix of styles guaranteed to hold attention. The line up of personalities and demeanors was perfect. Thank you, Leslie!” “This is delightful.” “I really could see the relationship between mime and tap.” “I so enjoyed the dancing. Thank you for hosting and organizing a wonderful event.” “Great show!!!Thanks so much!!!” Audreyanne’s Korean dance was elegant and emotionally touching.” “”Whimsical!” Megan’s mime was delicate and funny at the same time.” when Megan started to tap, I could feel a smile across my face.” “I’m sitting in a chair and suddenly, I’m dancing! Rumba, Line Dances – I’m having so much fun!” “Audreyanne’s tapping is sensational.” “THAT WAS FANTASTIC! Thank you so much for hosting such a lovely afternoon. It was so much fun! The variety of dance styles made it an incredible and enlightening experience. You are always so inclusive in everything you do. You are just amazing. I thank heaven that I was put on this earth at the same time as you.”

FESTIVAL ARTISTS PERFORM! January 30, 2 p.m.

The International Dance Festival@Silicon Valley typically includes a Festival Concert. The artists who teach perform. There was nothing typical about 2020 or 2021! However, IDF@SV carried on producing two successful seasons of classes & workshops online. Fantastic! Now, the dancers, students, and those trying out dance for the first time will have a chance to see what the artist/teachers do. The performances will be over Zoom. The artists will perform in separate places as their homes are separated by thousands of miles. Farthest East: Audreyanne Delgado Covarrubias in Durham, North Carolina. Farthest West: Megan Ivey Rohrbacher in Hawaii! Even the two artists in California are as far apart as they could be and still be in the Bay Area: Annie Wilson in Novato (Marin County) and Etta Walton in San Jose.

No matter where they are, they are terrific! Join us for an amazing, fun hour on Sunday, Jan. 30, at 2 p.m. We are limited by space – no one is in a theater – but the talent is UNLIMITED!!! The performance is FREE. Of course, we will appreciate a donation of any amount to support the program. To do that, mail a check to The Lively Foundation at The Lively Foundation, 550 Mountain View Ave., Mountain View, CA 94041-1941 OR go to the landing page of this blog, scroll down until you see the PayPal button (PayPal keeps 2.2% plus 30 cents for every donation.)

Here is the Zoom invitation. The show starts at 2 p.m. You can enter earlier, but there is no need to be there much before 2 p.m. Thanks!

Leslie Friedman is inviting you to a scheduled Zoom meeting.

Topic: Leslie Friedman’s Zoom Meeting
Time: Jan 30, 2022 01:30 PM Pacific Time (US and Canada)

Join Zoom Meeting
https://us02web.zoom.us/j/89305303695?pwd=QkQvUVg0Ri84cGVQRzBhOU1sNFJZQT09

Meeting ID: 893 0530 3695
Passcode: 594198
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“SEE YOU THERE!!”

pictures from top: Audreyanne Delgado Covarrubias, Etta Walton, Megan Ivey Rohrbacher

 

LEONARD WOOLF: Bloomsbury Socialist

Leonard Woolf: Bloomsbury Socialist

By Fred Leventhal and Peter Stansky

Oxford University Press, 2019

Leonard Woolf was the secular saint who helped his famous wife, Virginia, through mental crises. Historians Leventhal and Stansky show he was much more. Leonard Woolf was also a leader, scholar, activist, successful author of fiction and deeply researched papers on international government and economy, creative co-founder and business director of the Hogarth Press, anti-imperialist statesman, Foreign Service diplomat, spokesperson for mutual security agreements of the League of Nations, devoted gardener, dog lover.

This is a breakthrough book. It restores Woolf to a place of his own and demonstrates why his contemporaries revered him as a moral intellectual, a paragon.

The first part, The Personal Journey, covers Woolf’s family, education, marriage, friendships all in historical context. It gives an intimate look at his years in Ceylon (now Sri Lanka) in the Foreign Service. This section examines the influence Woolf’s friends had on his intellectual and spiritual development. Virginia, through their love and shared work, is a major presence. In Ceylon, he had authority over a large district. He collected revenue, dispensed justice, interacted personally with individuals. While he worked twelve hour days, expanding agriculture and building schools, he received letters from his friend Lytton Strachey urging him to propose to Virginia, maybe by telegraph. This part of the book is distinguished by psychological insights, sympathy with the subject, and examination of social and intellectual classes.

The second part, The Political Journey, analyzes Woolf’s studies of economics, trade, and labor in nations and colonies around the world. He wrote for the Fabian Society and the Labour party. Woolf was aligned with the Fabian Society, the British Socialist organization that sought reforms leading to democratic socialism. However, Woolf favored individual rights over state authority and nationalism. In early days in Ceylon, he believed that Britain helped colonials solve problems. Later, he favored self government. He adopted that attitude toward other British colonies, though not all simultaneously. His many, gigantic research projects include the books Empire and Commerce in Africa, written for the Labour Research Department (1920), International Co-operative Trade, the Fabian Society, 1922; both published by George Allen & Unwin. Foreign Policy: The Labour Party’s Dilemma, Fabian Research Series/Victor Gollancz (1947)

The presentation of the studies’ details and purposes is admirably clear and shows how the work shaped Woolf and how his intellect shaped the work.

Labour’s dilemma was how to react to human rights abuses in the Soviet Union. Woolf’s opposition to the Soviets’ cruelty was steadfast as it would be to China’s. His lifelong belief that an international system was the only hope to avoid another cataclysmic war led him to advocate for the League of Nations. His findings supported collective security agreements. He was among the first British writers to recognize the truth about the Nazi regime.

For the United Nations, he urged collective security against militarized nationalism. His work is timely now: international cooperation is threatened by attacks on the European Union, the US refusal to support the World Health Organization, and scorn from Brazil and the US for steps against climate change.

At St. Paul’s, his public school, though an outstanding scholar and athlete he was taunted for being Jewish. At Cambridge he was part of the most elite, intellectual cliques yet defined by friends as a Jew. Judaism and Hellenism combined to form his philosophy. He credited the Hebrews with establishing the value of individual lives through the non-negotiable Ten Commandments and the Greeks with secularizing government by being skeptical about religion while keeping spiritual values. His integrity was as powerful as his intelligence. This book brings us Leonard Woolf, and we need him.

The Authors:  Professsor Fred Leventhal taught British history for 35 years at Boston University. He also taught at Harvard, Boston College, and the University of Kent (UK). He was co-editor of the journal Twentieth Century British History and is former president of the North American Conference on British Studies. Professor Peter Stansky taught at Harvard and then at Stanford University and is the Frances and Charles Field Professor Emeritus of British History. He also served as president of the North American Conference on British Studies.

review by Leslie Friedman, published Fall, 2020

Peter D.L. Stansky: HAPPY BIRTHDAY!

HAPPY BIRTHDAY, Peter Stansky! Frances and Charles Field Professor Emeritus of modern British History, he joined the Stanford University History Department in1968. He served as Chair of the History Department for 7 years. He is the author of many, many books* and internationally honored as the shining light of his field, On Jan. 15, 2022, Stanford honored him with a Symposium on topics of his special interests: William Morris and the Arts & Crafts movement in England; Virginia Woolf and the Bloomsbury Group; George Orwell. On Jan. 17 a gathering of students, many now distinguished professors and authors themselves, and friends from across the US and the world thanked him for his friendship, encouragement, enlightenment, and lively verve. Beginning today, Hedgehog Highlights on the livelyblog will feature reviews of his recent books. Thanks to The Institute for Historical Studies and its editor, Maria Sakovich, for permission to re-publish the reviews that appeared in TIHS publication which were written by Leslie Friedman, one of Professor Stansky’s Stanford Ph.D.s.

*Books by Peter Stansky include: Ambitions and Strategies, England since 1867, William Morris, Redesigning  the World, On or About December 1910, Another Book That Never Was, From William Morris to Sergeant Pepper, Sassoon, The First Day of the Blitz, Edward Upward, Twenty Years On. Books by Peter Stansky and William Abrahams: Journey to the Frontier, The Unknown Orwell, Orwell: The Transformation, London’s Burning. Book by Peter Stansky and Fred Leventhal: Leonard Woolf: Bloomsbury Socialist.

Lively Books for Holiday Joy: Special Offers

It is Halloween Weekend, and The Lively Foundation offers a very special treat: the first ever sale on two beautiful, readable, and even re-readable books! Both The Dancer’s Garden and The Story of Our Butterflies: Mourning Cloaks in Mountain View have won enthusiastic reviews and glowing responses from readers, lovers of good writing, fine photography, nature.

Buy either book and receive a 10% discount off the normal, retail price. Buy two or more books -same books or a mixture of the books – and Lively will cover the shipping costs. This is a deal.

The Story of Our Butterflies: Mourning Cloaks in Mountain View, by Leslie Friedman, with full color photos by Jonathan Clark and Leslie Friedman sale price: $26.95

The Dancer’s Garden, by Leslie Friedman, with full color photos by Leslie Friedman and Jonathan Clark, sale price: $37.80

A Few Reviews:

The Story of Our Butterflies: “Leslie Friedman is an historian, dancer and choreographer, and now a perceptive writer about nature. …in a second splendid work she takes flight into the world of butterflies. … One is grateful for this delightful book, so well written and illustrated.” Peter Stansky, Author, Historian, Professor Stanford University

The Story of Our Butterflies: “This is a wonderful book and I look forward to sharing it with the rest of the staff here.” Joe Melisi, Center for Biological Diversity, National Conservation Organization based in Tucson, AZ

The Dancer’s Garden: ” I love it. It is a perfect book, in conception and execution….a marvelous writer, as I expected, and I am particularly fond of short essays. The scale and layout are just right.” Diana Ketcham, HOUSE & GARDEN, EDITOR (ret), Books Editor, THE OAKLAND TRIBUNE

The Dancer’s Garden: “a wonderful quirky, perky, series of ruminations on gardens, flowers, plants, trees, cats, people, indeed life. It has magnificent photographs…it is an exhilarating read!” Peter Stansky, Author, Historian, Professor Stanford University

You may purchase by check or credit card.

By check: please make your check to The Lively Foundation and mail it to The Lively Foundation, 550 Mountain View Avenue, Mountain View, CA, 94041-1941.

To purchase by credit card: please go to http://www.livelyfoundation.org/wordpress   Scroll down the landing page to find the PayPal logo and click on that.

Most important is that you buy the books. “There is so much delight and poetry and wisdom to be found in the garden and in your book!” S. Abe, California Academy of Sciences (ret)

 

 

 

 

Saluting Krystyna Chciuk

The Lively Foundation is very sad that Mrs. Krystyna Maria Chciuk passed away in September. She was a lovely person and a friend to so many. Lively and its Artistic Director, Leslie Friedman know how fortunate we are to have known her. At the age of 15, she was sworn in to the Polish Resistance. It was something of an accident because she was really too young.  However, she stayed and became a Laczniczka, a courier. She took guns and messages from one side of Warsaw to another and also led soldiers across the occupied city. She participated in the Warsaw Uprising, 1944, and was captured by the Nazis. She was forced into Prisoner of War camps.

Mrs. Krystyna Chciuk

In 1945 she was freed from the camps and joined the Polish Army in Exile, in London. She met Mr. Wladyslaw Chciuk, a pilot. He had been a Captain in the Polish Air Force and flew with the RAF in the Polish Squadron. He was a Prisoner of War in Germany, 1943-45. They were married in 1951. In 1952, they came to the US, first living in Milwaukee and then moving to San Francisco. While working full time and caring for her family of three daughters and Mr. Chciuk, she devoted herself to preserving the Polish language and culture in her new home. She was the founder of the Lowiczanie Polish Folk Ensemble, teaching and directing the dances. She also was energetic in support of Polish Scouting and Polish Saturday language schools. As her daughters stated in her obituary, “we shared our mother with all of you more so than many people share a family member.” Pani Krystyna Chciuk contributed to the whole Bay Area through her integrity and kindness. She was always a shining light in our multi-cultural culture. She is greatly missed.

International Festival@Silicon Valley’s 10th Anniversary!

              The International Dance Festival@Silicon Valley
                            Celebrates Its 10th Anniversary
The Lively Foundation is proud to celebrate the 10th Anniversary of the International Dance Festival@Silicon Valley. This season the Festival’s Full Day of Dance© will take place on Saturday, November 13. All Full Day of Dance© classes will be offered over Zoom and will be free. See list of classes and schedules below. To register go to: https://forms.gle/dAd5DKho8sgFgPn8A
 
In addition to the Full Day of Dance© there will be classes offered during the preceding week days. For example, 30 minute Pilates mat classes will be led by Audreyanne Delgado Covarrubias, 9 a.m. Pacific time, Monday – Friday. Weekday classes will be offered on a Pay-What-You-Can basis, suggested amount is $5 – $15 per 30 minute class.
(L to R) Etta Walton, Audreyanne Delgado Covarrubias,
Starting in 2012, the Festival has offered classes in an amazingly wide variety: African, Afro-Haitian, Ballet, Bharatanatyam, Classical Chinese, Contemporary, Kathak, Korean, Line Dances, Manipuri, Mexican Folclorico, Salsa, Samba, Tango, Tap, Waltz, and even more styles. Participants learn from accomplished professionals and also see them perform. Winners
of the Choreography Competition present premiere works on Festival Concerts.
Artistic Director and Founder of the Festival, Dr. Leslie Friedman says, “Do what you love and try something new! A ballerina might discover she loves Tap. A ballroom dancer will find the Pilates mat to be just what he needs. Beginners get to fall in love with dance. Professionals in one style get to be beginners in something new to them. It helps to remember that dance can be fun.”

Lively Foundation Artistic Director Leslie Friedman

 The International Dance Festival@Silicon Valley’s innovations were ground breaking and have been adopted by other companies: presenting learning experiences in multiple forms, for participants of mixed levels of dance training (or no training), chances for participants to perform, and the exciting opportunity for the whole community to gain understanding and appreciation of dance by watching fine artists in concert.
Artist-teachers will include Etta Walton, Line Dances; Annie Wilson, Jazz; Megan Ivey Rohrbacher, Physical Comedy; Audreyanne Delgado Covarrubias, Tap, Pilates mat. These artists have performed and taught in previous Festivals and all have devoted followers.
Full Day of Dance©
Pilates mat,              9:00 a.m.-10:00 a.m.
Jazz                          10:15 a.m.-11:15 a.m.
Physical Comedy  12:30 p.m.-  1:30 p.m.
Tap                           1:45 p.m.-   2:45 p.m.
Line Dances             3:00 p.m.-  4:00 p.m.
Full Week of Dance© mini-classes
Pilates mat    MTWThF    9:00 a.m. – 9:30 a.m. Nov. 8-12
Line Dances  MWF           2:00 p.m. – 2:30 p.m. Nov. 8, 10, 12
Repertory:     TThF           4:00 p.m. – 5:00 p.m. Nov. 9, 11, 12
“Dances for Small Spaces
All Full Day of Dance classes are free, but we do request that you register.
All Full Week of Dance classes request registration and are on a pay-what-you-can basis. Suggested amount is $5 -$15.
TO REGISTER PLEASE GO TO:   https://forms.gle/dAd5DKho8sgFgPn8A
For further details please watch http://www.livelyfoundation.org/wordpress/?p=3586

Stanford’s Company of Authors: Butterflies Talk!

On April 24, 2021, Leslie Friedman presented a talk about her latest book, The Story of Our Butterflies: Mourning Cloaks in Mountain View, on Stanford’s program, Company of Authors.

The speakers for the program were in groups of 3 or 4 speakers. The recording of the talks shows all 3 speakers in Leslie’s group.  Professor Paul Robinson introduces the first speaker; she speaks for about 4 min. 8 seconds. Then Prof. Robinson introduces Leslie. Her talk is about 8 minutes long (each speaker was allowed 10 minutes). After Leslie’s talk, Prof. Robinson makes a few comments praising her talk. Then, he introduces the final speaker, Professor Peter Stansky who talks about his most recent book, Twenty Years On, on modern British History. Prof. Stansky is the founder of Company of Authors.

Here is the link:     https://vimeo.com/546631058

Thank you for your interest!